Here you have all the stuff we’ve been posting during the week from Top Gun. Enjoy it in the gallery!

Promotional Stills

Behind Scenes

Premiere in New York- May 12th 1986

Posters, Covers & Ads

Screencaps

Japanese Movie Program

Enjoy the new Australian poster of ‘Jack Reacher’. HQ in the gallery.

Posters

New pics of Suri in NYC yesterday.

Suri in NYC- November 10th 2012

Warner Bros has released the first pic of Tom in ‘All You Need Is Kill’. The movie is currently being filmed at Leavesden Studios in London.

Enjoy the pic in Hig-Res in the gallery.

 We’ve also added new pics of Suri. Enjoy them HERE.

We’ve added pics of Suri arriving at school in NYC today.

Suri Arriving at School in NYC- November 7th 2012

Enjoy all the new stuff we’ve added from this week’s movie, Legend.

Promotional Stills

Posters & Covers

Behind Scenes

Magazine Scans

Screencaps

 We’ve also added new pics of Suri. Enjoy them HERE.

We’ve added the scans from the December issue Total Film magazine with Tom on the cover as Jack Reacher and new promotional stills and behind the scenes images inside. You can also enjoy scans from the previous issue where also appears an article about the movie.

Total Film- December 2012

Total Film- November 2012

Here you have all the pics we’ve added from movie of the week ‘All the Right Moves’. Enjoy them!

Promotional Stills

Posters & Covers

Behind the Scenes

Screencaps

Photoshoots

On the occasion of the LACMA retrospective, two of Kubrick’s friends and collaborators reminisced about the master director’s approaches, rituals, and concerns. Tom, who starred in Eyes Wide Shut , and former Warner Bros. head Terry Semel, who oversaw the production of many of Kubrick’s films, got together for a phone conversation in late August to discuss Kubrick’s brilliantly cinematic storytelling for Interview magazine.

Those are some quotes about what Tom said. You can read the rest HERE.

‘He did not want to be a celebrity. You know, [the late director] Tony Scott worked on Barry Lindon. He was in art school at the time. Tony told me that he wrote down the exact longitude and latitude of where Stanley wanted the camera, the exact height of the camera, and the time, to get the shot that Stanley wanted. Tony said he sat there for a couple of weeks trying to get the right light. Stanley really loved the Scott brothers. I’ve had long conversations about this with both Tony and Ridley. Stanley was a director who did not let people borrow or rent his lens. He never gave his Apollo lens to anyone. But when Ridley was having a really difficult time with the end of Blade Runner [1982], Stanley gave Ridley footage that he had shot but didn’t use for the opening of The Shining. He was offering to let him use it for Blade Runner. That’s how highly Stanley thought of them.’

Tom is named Icon Of Our Life time in issue 200 of Total Film magazineand inside they chat in depth with him on his movie past, present and future.  He chats about all of his upcoming films, including Jack Reacher, Van Helsing, and the long-mooted  Top Gun 2.

“Seeing an audience respond… to have that experience is really wonderful.”

“I started Mission: Impossible hoping I could make many of them. It’s a character that I can grow with. At that time it was the most expensive film in the history of Paramount Pictures, and the first film I was producing.

“It’s been pretty exciting. I’ll make a bunch of those. I’ll make as many as people want to see… because they’re very challenging, and so much fun to make.”

 “We’re already working on different images. Talking conceptually. I love travelling around promoting different movies because I’m always looking at different places, and I always walk around to see the city. I look at architecture, subways… coming up with different sequences.”

We’ll have the scans very soon.